It is based on the same conceptual and formal idea as my earlier wax work “WE ARE ONE”, but the difference in material creates a completely new tension, and above all, pain and sweat in the process!
It too explores the theme of transformation. The archaic spiral with two snail-like heads rises once again from a scaly, mythic body that oscillates between dragon, snake, and human.
The figure stands atop a spherical base, a world globe, or an egg?! ,a symbol of origin, merging organic, cultic, and symbolic forms into a timeless totem.
While wax lives through its transience, warmth, and fragility, granite is its exact opposite: massive, permanent, unyielding, and made for eternity. And it was exactly this contrast that became my challenge, and my fascination.
The visual language remained nearly identical to the wax version, but the material forced me to rethink every detail. Where wax yields to heat, granite demands hardness, endurance, and precision. Every millimeter must be planned, chiseled, and carved.
The Chinese committee specifically selected this sculpture from my portfolio. Their decision was an honor, and brought me together with a fantastic team of helpers and assistants. The months of collaboration on site were shaped by mutual respect, exchange, and an incredible work ethic. And some very painful recovery sessions.
For me, Unity is the counterpart to “We Are One”, two works that share the same spirit but could hardly be more different in material, appearance, and energy.
The dialogue between transience and permanence, between wax and granite, remains one of the most exciting experiences of my artistic journey. It was a beautiful time!
Hiu An (China) 2011
